THE LAST HAND

As Cinematographer, Editor, and Colorist, I led the visual identity from production through final delivery. Built inside a small school studio space, the challenge was constructing the film's lighting design, hard sources, deep shadows, controlled falloff, within the constraints of the room. I worked closely with the directors to develop a look that felt much larger than the space we had. In the grade, I focused on disguising the studio's flat background walls, pushing the room toward the texture and depth of an authentic underground poker club.